

In a pointless stylistic choice, director Michael Bay and cinematographer John Schwartzman shoot some of the hospital scenes in soft focus, some in sharp focus, some blurred. Their first date is subtitled "Three Months Later" and ends with Danny, having apparently read the subtitle, telling Evelyn, "Don't let it be three months before I see you again, okay?" That gets almost as big a laugh as her line to Rafe, "I'm gonna give Danny my whole heart, but I don't think I'll ever look at another sunset without thinking of you." That kind of bad laugh would have been sidestepped in a more literate screenplay, but our hopes are not high after an early newsreel report that the Germans are bombing "downtown London"-a difficult target, since although there is such a place as "central London," at no time in 2,000 years has London ever had anything described by anybody as a "downtown." There is not a shred of conviction or chemistry in the love triangle, which results after Rafe returns alive to Hawaii shortly before the raid on Pearl Harbor and is angry at Evelyn for falling in love with Danny, inspiring her timeless line, "I didn't even know until the day you turned up alive-and then all this happened." Evelyn is a hero in the aftermath of the raid, performing triage by using her lipstick to separate the wounded who should be treated from those left to die. They enter the Army Air Corps and both fall in love with the same nurse, Evelyn Johnson ( Kate Beckinsale)-first Rafe falls for her, and then, after he is reported dead, Danny. The American side of the story centers on two childhood friends from Tennessee with the standard-issue screenplay names Rafe McCawley ( Ben Affleck) and Danny Walker ( Josh Hartnett). Congratulated on a brilliant raid, he demurs, "A brilliant man would find a way not to fight a war." And later, "I fear all we have done is to awaken a sleeping giant." Do you imagine at any point the Japanese high command engaged in the 1941 Japanese equivalent of exchanging high-fives and shouting "Yes!" while pumping their fists in the air? Not in this movie, where the Japanese seem to have been melancholy even at the time about the regrettable need to play such a negative role in such a positive Hollywood film. Only Admiral Yamamoto (Mako) is seen as an individual, and his dialog seems to have been singled out with the hindsight of history. There are several scenes where the Japanese high command debates military tactics, but all of their dialog is strictly expository they state facts but do not emerge with personalities or passions.

I predict some viewers will leave the theater sincerely confused about why there were Japanese in China.Īs for the movie's portrait of the Japanese themselves, it is so oblique that Japanese audiences will find little to complain about apart from the fact that they play such a small role in their own raid.

So shaky is the film's history that at the end, when Jimmy Doolittle's Tokyo raiders crash-land in China, they're shot at by Japanese patrols with only a murky throwaway explanation about the Sino-Japanese war already underway.
#STRATEGY CINTA TIGA SEGI MOVIE#
Would going to war restore the fuel sources? Did they perhaps also have imperialist designs? Movie doesn't say. There is no sense of history, strategy or context according to this movie, Japan attacked Pearl Harbor because America cut off its oil supply, and they were down to an 18 month reserve. If you have the slightest knowledge of the events in the film, you will know more than it can tell you. The filmmakers seem to have aimed the film at an audience that may not have heard of Pearl Harbor, or perhaps even of World War Two. The film has been directed without grace, vision, or originality, and although you may walk out quoting lines of dialog, it will not be because you admire them. Its centerpiece is 40 minutes of redundant special effects, surrounded by a love story of stunning banality. 7, 1941, the Japanese staged a surprise attack on an American love triangle.

"Pearl Harbor" is a two-hour movie squeezed into three hours, about how on Dec.
